Storm Front

The Dresden Files are one of the best selling fantasy series on the market today, and as of a week ago I had avoided them at all costs. I did this because I was confident that I had already covered this niche in the genre. As a Glen Cook fan, I had read four of his Garrett PI series and that was more than enough for me. I figured that if I got bored of the way Cook covered detective in magical world, then Butcher didn't have a chance. Then my brother told me to give it a chance, so I did.

Title: Storm Front
Author: Jim Butcher
Format: Audio

Fun fact. I always assumed the name Butcher was pronounced with the French pronunciation, but it turns out that it's not. The benefits of audio.
Second fun fact. This is nothing like the Garrett PI series. The Garrett PI is a noir style detective who just happens to live in a magical fairyland. Storm Front, on other hand, takes places in our own world, albeit with magic and mystical creatures.
Harry Dresden is a wizard for hire. He even has an advertisement in the phonebook (the story is from 2000). The only problem is that this is the real world, where science can explain everything. Not only do few people have need of a magician, even fewer believe in magic. With his rent on the line, Harry is hired to find a shy woman's missing husband, and simultaneously contracted by the police to explain how two people's hearts exploded as though they were small bombs. Added to the mix is a street drug that can reveal the magic, some fairies, a vampress madam, and an air spirit trapped in a skull, and there are enough characters to keep everyone excited.
There are two main strengths to this story. The first of these is the world that Butcher creates. It is apparent from the first few pages that Butcher is not making things up as he goes along. He has a concrete plan of exactly who all his players are, many of which I'm sure we d not meet in this first book, and what their intentions are. This displays a mastery over the source material and Butcher's world that is rarely seen in writing. His world is different than ours, but in a well defined way, allowing the reader to suspend their disbelief and fall into the story.
The second and most important asset for the story is Harry Dresden. The story is told in first person, and so it is essential that we understand and empathize with our guide to the story. Butcher creates a wonderful balance of a character with great power, but also an inferiority complex. Dresden understands where he is on the magical food chain and that there are many things can end him. But as the book continues and we are able to watch our narrator instead of just listening to him, we see that an angry wizard is not a creature to be taken lightly. This allows Butcher to avoid cliches such as the overpowered superman while still allowing his readers to revel in badassery.
My main critique of the book would be that the world is actually too developed. There are many throw away references to other creatures or events that exist, but then nothing ever comes of it. We hear all about all sorts of creatures and the white council and "never never," but none of those are explored or developed (yet). It is a good tactic that leaves the readers wanting more and excited to continue the series, but it also leaves things a little unsatisfying.
Another problem: for such a complicated world, the plot itself was rather simple. I won't say too much, but it comes down to: there is a bad guy, he is very bad, and Harry is the only one able (for various reasons) to stop him. That summary is not quite doing the book credit, but the surprisingly banal story arc is excusable because the actions and characters are all fantastic.
The final problem: all the women are attractive. Very attractive. It's a little much.
I got nitpicky because I enjoyed the book. It was quick, only an eight hour audiobook, which is maybe 250 pages. Urban Fantasy fans should enjoy this, but wizard does not mean the same thing here as Harry Potter.
7/10

Lock In

I've been a fan of John Scalzi for a while, but didn't really feel like reading this one. I love the Old Man's War Universe, and was (and still am) waiting for the next book. I want to start raving about the episodic structure of The Human Division, but this is not the time or place.

Title: Lock In
Author: John Scalzi
Format: Audio

Twenty five years ago a disastrous epidemic known as Haden's syndrome has run rampant across the world. It started with flu like symptoms, but in others it has a second stage where the brain swells in a manner similar to meningitis. Some of these patients then fall victim to Lock In, where they lose all control over their body, though their mind remains completely unaffected. The US and allies invested trillions of dollars in research and now have developed "Threeps" or robots which can be controlled by remotely by the afflicted people. Chris Shane is a "Haden" and it's his/her first week as an FBI agent. Of course it becomes the most chaotic and exhilarating week imaginable. There's murder, suicide, corporate espionage, and more all set against a backdrop of a march to protest the impending Abrams-Ketering Bill which will soon cut off all funding for Haden care.

Let's start with the potentially confusing thing from the synopsis. No, not the pseudo science or plot, the his/her. Close investigation of the text gives no indication of Chris' gender. In fact, there are two audio versions of the book, one narrated by Wil Wheaton, and one by Amber Benson. You get to pick which gender you want Chris to be. I went with the Wheaton version, which I think was a mistake, but I'll get to that later. This genderless situation is a really cool concept for a story, and Scalzi is subtle in his implementation. Rather than this being the focus of the story, it's an added perk to a savy reader.

But rather than gushing about book, I'll get to the heart of my critique and why I think I chose the wrong version of the book to listen to. John Scalzi has a signature style. His characters are smart, fast talking, agreeable, and did I mention smart. He often runs into a problem with what we'll the call "superman complex." All his characters can do anything and come up with a solution to any problem all while being a smart ass. In each instance it is hilarious and entertaining, but when looked at together, everything seems to blend together into a similar blob of overly talented characters telling jokes. Add to this that Wil Wheaton is the voice behind maybe half of Scalzi's audiobooks and it becomes the same voice telling you about the same characters doing the same things.

This superman complex and singular style stem from a deeper problem in Scalzi's writing. His characters just aren't very complex. There are good guys and there are bad guys. The "grey" characters and still very good guys, just less good and less talented than the real heroes.

I love Scalzi's writing and his humor, but I'm also ready for something new from him. He's perfected his little niche and has the fan base. Now it's time to innovate and experiment a little. Maybe the good guys could lose the fight.
Fans of Mystery, Sci-Fi, and humor will enjoy this book. Scalzi fans know what to expect, it's more of the same
6/10
Another note. Feel free to use the comments to ask questions, disagree with me, tell me how awesome I am, or make requests for other books

The Crimson Campaign

I lucked out with the Powder Mage Trilogy. I didn't start listening to them until after all three had been published, so I can read them whenever I want. It's pretty convenient. I'm pacing myself a little bit so I don't get completely saturated with the series and start to dislike it for that reason rather than any fault in the books themselves. Anyway, here goes.

Title: The Crimson Campaign
Author: Brian McClellan
Format: Audio

A month or so after the finish of the first book, we return to our characters. Tamas has joined the front, ready to lead his army to another crushing victory over the Kez. He plans a ambush with his two elite battalions only to find all his plans no long matter due to a new type of warden. Instead of destroying the Kez he and his battalions are force to flee across enemy territory to try to reenter Adro before the Kez destroy everything in their path. Taniel, the god-killer, has resorted to keeping himself in a constantly drugged state to try to forget the past few months, but once his father goes missing Taniel is called back to the front as the last hope of the Adran army. Meanwhile, Inspector Adamat has only two goals left in his life: to find his wife and child and to make Lord Vetas pay. Of course nothing is ever so easy. There are traitor's and double crossings and every sort of machination imaginable. Then there's always the question of: is it even possible to kill a god?

This is a good series. I enjoy the premise, the characters are entertaining, and the plot is complex but followable. One thing that many fantasy novels struggle with is the suspension of disbelief. An author must determine how far they can take characters and ideas without having their readers through their hands up in frustration and say "this is too much." McClellan has walked this line perfectly so far, invoking gods, guns, and magic, while making the reader not only believe that all of this is possible in his world, but that it all makes sense. I worry with a development near the end of the book that he may be starting to cross that line, but we shall see what happens in the Autumn Republic.

This book is slightly weaker than the previous book. The main reason I can cite is that the start of the book did drag a little bit. We knew the characters already, but it still took a while to catch up with what had happened since the previous book and to establish where each character would go. Once the story took off, it was fantastic, but it took McClellan just a little too much time to get there. The other potential flaw I've found is McClellan usage of female characters. There are many, and luckily their femininity is not their defining characteristic, but few are truly center stage. Nila, a character returning from the first book, is the only female whose perspective we see are given. Sadly she is also the least interesting and most frustrating female we've been exposed too. It is unfortunate that she is the most visible example when there are many better options to choose from.

That aside, I still think the book is great. One of my favorite aspects is that McClellan took the opportunity to expand, both geographically and in terms of characters. Rather than remaining in Adro and the mountains we get to explore Kez,  Additionally we meet a host of new characters. Some are mentioned only briefly to help move the plot, but there are many more who are well thought out and intriguing, and I hope to learn more of them. A philosophy I hold to in writing is to never treat a character as if they are secondary or unimportant. They should have a story that they are the main character in. We may not get to see this story, but it stills adds a logic and reality to the characters motives and actions. McClellan embraces this concept and so we have a plethora of relatable figures.
Anyone who liked the first one will also enjoy this one. Of course, read them in order.
8/10

City of Stairs

I needed something to read on my kindle, and sometimes I feel as though I've exhausted much of the fantasy genre. I am obviously mistaken. I was looking through goodreads and found this mentioned as a good or great book, depending on which review you looked at it. I decided to give it a try.

Title: City of Stairs
Author: Robert Bennett Jackson
Format: Kindle

The story takes place in Bukilov, the capital city of "the Continent." The Continent had conquered much of the world because they had Gods or "Divinities" aiding them. Then a man emerge from Saypur, a small conquered and oppressed island, and killed the gods, helping Saypur replace the Continent as the dominant world power. Our story takes place four generations later in modern Bukilov. A prominent Saypuri historian is murdered and a representative from the foreign ministry, Shara, arrives to investigate the crime. Within days she finds herself barely avoiding assault and potentially talking to gods. All is not as it seems in Bukilov and Shara's curiosity leaves her no choice but to unravel all the twisted threads.

I think the simplest, but most important thing I can say about this book is that the story is much better than the writing. There was a slow start, but the story became more and more engaging and the style less distracting as each page turned. When I say that story isn't particularly well written, I'm referring to a few specific things. Firstly, the story takes place in third person present, with us inside the head of whoever is the main focus of each section (mainly Shara). This is an odd and off putting choice, but the reader gets used to it after a hundred pages or so. The second problem is a pet peeve of mine. Jackson's method of writing dialogue is incredibly frustrating. He puts more than two separate lines of dialogue in one paragraph. This drives me crazy. It's cluttered, confusing, and amateurish and I hate when authors do this. Even worse, at points he has multiple people talking within the same paragraph. Could he not find the enter key while he was writing the manuscript?

The plot itself is enthralling. To potential readers, ignore the first chapter, it's by far the section of the entire book, and while it sets up the plot for the rest of the novel, it's a boring chapter about bored characters doing boring thing. Just get through it. On the plus side, in the rest of the book there are gods, demons, intrigue, death, sex, and good old fashion monster fighting. Jackson gets a little bit of everything into the story, and does so in a surprisingly coherent and entertaining way. I would recommend this book to most fantasy fans, but I'd warn them that parts of the book can be quite a struggle. I don't think I'll be exploring the rest of the series. Good luck.
6/10

Star Island

This is another book that I found at the used book sale in Maine. I had never read any Hiaasen before, but I'd seen other of works in stores and online and it had a bright cover. What could go wrong?

Title: Star Island
Author: Carl Hiaasen
Format: Paperback

This book was a struggle to get through.I sat down with it, and breezed through the first hundred pages in one sitting. I found myself thinking, "wow, this is so easy to read, it takes no thought at all." Yet after that initial session, I found myself very reluctant to pick the book back up. It wasn't the familiar hesitance about finishing a book I love and never want to end. After some reflection I realized this resistance was due to the fact that Star Island is just not a particularly good book. I had made the fatal mistake of coming up for air, giving me time to think about what I had read and would continue reading.
The major flaw with the book is that it is too self indulgent by Hiaasen. It appears that throughout the book he'd have an idea, and think "this is hilarious" and put it in. Then he would realize that he should have introduced it earlier on, and would half-heatedly edit a paragraph or two to justify the inclusion. It just made it seem it all seem like lazy writing aimed more at gags than at well developed characters or a thoughtful plot.
His characters received a similar treatment. It became clear that Hiaasen had radically altered aspects of the characters personalities to allow for some joke he thought of 200 pages into the story. All the main characters are caricatures will no depth or thought put into them. There is a weak attempt at juxtaposing nearly identical physical characters with mostly different characters, but this is poorly done as well. On top of the poor treatment of his main characters, Hiaasen would also randomly add characters as one offs for the sole purpose of moving the plot along. These were undeveloped and lazy tools that where anything to experience.
Finally, the book also lacked any form of subtlety. One can only read about a fat man being called gelatinous or jello-like and how air-headed a bimbo is so many times before it becomes painful and deleterious to the story. Hiaasen came off as a poor man's Christopher Moore. I'd recommend readers steer towards Moore instead because though his work is also flawed, it is much less self-indulgent and frustrating to read than Star Island.
2/10